Magnetic North can be considered a base camp, a general point of reference for my wanderings and ramblings.
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I would call it ‘intentionality’. Sometimes I meet young artists and it becomes clear that for some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself. To do that, I produced work. The work that was shown was like a by-product, but never the purpose of my photography.
The thought process doesn’t even have to be conceptual or intellectual. It can be visual, or a layer of thought that’s wordless. I’m always exploring some question or other, but it may not even be formulate as such. I believe the work produced by most established artists, was produced as a by-product of their personal explorations.
”Stephen Shore, in response to the question “Do you need a philosophy to do great work?” in Image Makers, Image Takers: The Essential Guide to Photography by Those in the Know
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